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Performance
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Aepril's performance work is mentioned in The Theatre of the Occult Revival: Alternative Spiritual Performance from 1875 to the Present (Palgrave Studies in Theatre and Performance History) by E. Lingan
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Lucid Dream Chamber.
I created a "Lucid Dream Room" in which participants "co-dreamed" an intimate experience. Read more in my Diary entry about the night.
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Intimate
Performance for the Irish Network for the Study of Esotericism and Paganism—Magic(k) and Festivals Conference at University College Cork, 26 October 2018. In the "Ogham Room"
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I performed my poetry-dance piece "Intimate"
at the Irish Network for the Study of Esotericism and Paganism's Conference in association with the UCC study of Religions Department,
and at Soul Noir, at the Chocolate Factory, Dublin.
Watch my performance
Link to UCC flyer
at the Irish Network for the Study of Esotericism and Paganism's Conference in association with the UCC study of Religions Department,
and at Soul Noir, at the Chocolate Factory, Dublin.
Watch my performance
Link to UCC flyer
A bit more about my reltionship to performance art
I'm interested in intimacy. Though performance, I endeavor to create an intimacy between myself and an archetype or god form; and an intimacy between my audience and myself; I step into creating intimacy with the people who participate in the Working, and an intimacy with my Self. The boundaries of Time, Space, and individual identity become permeable and the edges exposed. And yet sharp focus is intended; the stage as altar, the room as magick circle. I endeavor to make each "piece" a world. I am interested in trauma, and the role it plays in how we become who we are. Perhaps such destinies are inherent in the "soul contract" that we "sign" upon incarnating; a segue of free will and Fate. Trauma and its healing are threaded through all of my performances; the abyss into which I looked--and which looked back into me---made me aware of both the Great Light and the wisdom of Night. 
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